If you are in a hurry, and don’t want to worry too much about tweaking the color balance of your image, as I’ve said, you’ll do pretty well with the Auto and default settings most of the time. It’s fair to say that this window in CS2 is a complex as you need it to be, or as simple. For the time being, you can just accept the default / Auto settings in the CS2 dialog, and you’ll get pretty good results - better certainly than shooting in JPEG. Hey – don’t be put off if you haven’t been using your camera’s RAW file format. It’s a great deal more powerful than the comparable dialog in CS1, and from the viewpoint of digital photographers everywhere this power and flexibility is a Very Good Thing. If you haven’t already seen it, take a look at the dialog that opens in Photoshop CS2 when you open a photo saved in Camera RAW format (shown above). The first step in this process is to open the image in Photoshop, use the Camera RAW adjustment dialog to process the raw image when it is imported, and save the image off as a PSD file (so you can archive the RAW original). In a previous post I explained the basics of my workflow for processing a digital image in Photoshop.
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